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E.L.A.D. 2-Channel Line-Level Preamplifier
"...as close to a "a straight wire with gain" as we are likely to get."
The following text is the complete review written in The Audio Critic magazine, issue no. 27.

"This amazingly perfect little preamp, the best
we have ever measured, was reviewed in depth in Issue No. 25. Meanwhile
the unit has undergone some minor changes and improvements, hence this
follow-up. (Of course, a mediocre preamp that has been made a little
less mediocre would not call for a second look.)
For those, who did not read the original
review, here is a brief description of the Morrison E.L.A.D. The most
important thing about it is that it's circuitry is designed around the
Analog Devices AD797, a highly advanced op-amp made with a fully
complementary IC process. This complex device, consisting of 60
transistors, settles to a full 16-bit resolution in under a
microsecond, has a noise spec equivalent to a 50-ohm resistor from 10
Hz to 1 MHz, and achieves lower THD + N levels than any discrete audio
circuit that has come our way. The preamp consists of two AD797's with
associated circuitry- including separate volume controls for each
channel- in one metal box and a fairly elaborate power supply in
another. In early versions the preamp circuitry was potted (to keep it
safe from the soldering irons of untutored tweako "modifiers"); in the
current version this has been eliminated and an improved board
substituted (the danger being less now that the unit has a solid
high-end reputation). The gain can now be switched from 6 dB to unity
by means of DIP switches on the board. In addition, an input coupling
capacitor has been added, partly on the advice of David Rich in Issue
No. 25. Slight cosmetic improvements complete the changes.
I measured the preamp all over again to see
whether the already astonishing specs have been further improved. They
have. Frequency response at 1 V output is -0.05 dB at 10 Hz and -0.11
dB at 200 kHz. Between 15 Hz and 40 kHz it's +/- 0.00 dB. Channel
separation at 1V output is 100 dB or better at all frequencies below 20
kHz; at most frequencies it hovers around 102 dB. Noise floor, with
inputs shorted and gain at maximum, is 0.1 to 0.2 uV below 1 kHz, 0.7
uV at 20 kHz, and 2.3 uV at 200 kHz. THD +N now bottoms out at 2.3 to
2.4 V instead of 10 V, a most sensible change in view of the maximum of
power amplifiers; and (get this!) the bottom is now -106 to -105 dB,
except at 20 kHz, where it is a mere -102 dB. This is as close to a "a
straight wire with gain" as we are likely to get.
Don't for a moment misunderstand me and think
that this level of performance is audible- it could be 40 dB worse and
you still wouldn't hear a diffrence. It's nice to know, however, that
the heart of your stereo system is utterly transparent- and at a cost
of only $790, not $10,000."
- Peter Aczel


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